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We get it -- there's lots movies in that "Suggested For you personally" area of your streaming queue, but how do you sift through many of the straight-to-DVD white gay rom coms starring D-list celebs to find something of true substance?
It’s easy to become cynical about the meaning (or absence thereof) of life when your work involves chronicling — on an annual basis, no less — if a large rodent sees his shadow in a splashy event put on by a tiny Pennsylvania town. Harold Ramis’ 1993 classic is cunning in both its general concept (a weatherman whose live and livelihood is decided by grim chance) and execution (sounds undesirable enough for sooner or later, but what said day was the only day of your life?
Set within an affluent Black Neighborhood in ’60s-period Louisiana, Kasi Lemmons’ 1997 debut begins with a regal artfulness that builds to an experimental gothic crescendo, even since it reverberates with an almost “Rashomon”-like relationship into the subjectivity of truth.
The climactic hovercraft chase is up there with the ’90s best action setpieces, and the end credits gag reel (which mines “Jackass”-level laughs from the stunt where Chan demolished his right leg) is still a jaw-dropping example of what Chan place himself through for our amusement. He wanted to entertain the entire planet, and after “Rumble in the Bronx” there was no turning back. —DE
Montenegro became the first — and still only — Brazilian actor to become nominated for an Academy Award, and Salles’ two-hander reaches the sublime because de Oliveira, at his young age, summoned a powerful concoction of mixed emotions. Profoundly touching however never saccharine, Salles’ breakthrough ends with a fitting testament to The theory that some memories never fade, even as our indifferent world continues to spin forward. —CA
The ingloriousness of war, and the basis of pain that would be passed down the generations like a cursed heirloom, can be seen even inside the most unadorned of images. Devoid of even the tiniest little bit of hope or humor, “Lessons of Darkness” offers the most chilling and powerful condemnation of humanity inside a long career that has alway looked at us askance. —LL
Sure, there’s a world of darkness waiting for them when they get there, but that’s just how it goes. There are shadows in life
1 night, the good Dr. Monthly bill Harford is the same toothy and confident Tom Cruise who’d become the face of Hollywood itself in the ’90s. The next, he’s fighting back flop sweat as he gets lost within the liminal spaces that he used to stride right through; the liminal spaces between yesterday and tomorrow, public decorum and private decadence, affluent social-climbers as well as sinister ultra-rich they serve (masters with the universe who’ve fetishized their role inside our plutocracy to the point where they can’t even throw a simple orgy without turning it into a sexy film sexy film semi-ridiculous “Rest No More,” or get themselves off without putting the worry vigorous blonde sweetie jessa rhodes bent over for a bonk of God into an uninvited guest).
Emir Kusturica’s characteristic exuberance and frenetic pacing — which often feels like Fellini on Adderall, accompanied by a raucous Balkan brass band — reached a fever pitch in his tragicomic masterpiece “Underground,” with that raucous Electricity spilling across the tortured spirit of his beloved Yugoslavia as the country experienced through an extended period of disintegration.
This critically beloved drama was groundbreaking not only for its depiction of gay Black love but for presenting complex, layered Black characters whose struggles bdsm video don’t revolve around White people and racism. Against all conceivable odds, it triumphed over the conventional Hollywood romance La La Land
Newland plays the kind of games with his possess heart that just one should never do: for instance, if the Countess, standing with a dock, will turn around and greet him before a sailboat finishes passing a distant lighthouse, he will go to her.
Beyond that, this buried gem will always shine because of the simple knowledge it unearths within the story of two people who come to understand the good fortune of finding each other. “There’s no wrong road,” Gabor concludes, “only bad company.” —DE
—stares into the infinite night sky pondering his identification. That we will empathize xvedio with his existential realization is testament towards the animators and character design team’s xnxx finesse in imbuing the gentle metal giant with an endearing warmth despite his imposing size and weaponized configuration.